You can blame Laura for this one. She egged me on.
Until a few months ago, the sum total of what I knew about Switched at Birth was what channel it was on and that two girls discover the eponymous event as an inciting action to the series. I’ve certainly followed my share of high school / college dramas, but I tend to need them to hook on some of my other interests (usually sci-fi / fantasy elements), so I never really thought much about it.
Then Max Adler announced he had a recurring role for the then-upcoming (now finished) season1. I’ve had a giant soft spot for him since his turn as Karofsky on Glee, a high school show which for several seasons bypassed my usual spec fic requirements by appealing to my musical theatre geekery instead. So, I took a shot on the latest season. As an added bonus, I discovered that half the characters in the show are Deaf, and nearly everyone in the cast signs to some degree, so I was hitting two of my geek fascinations at once2.
Here’s the thing: I like a lot of the performances on this show. And the plots are actually ambitious in more than your standard “our teenagers think about and have sex” kinds of ways. It’s just that I feel like there’s a lot missing in the execution of those plots and / or the fleshing out of characters, so much so that I often found myself wanting to shake the show by the shoulders and yell “stop short-cutting this and wasting your potential!”
Spoilers for the just-completed season, by the by. If you watch on DVD, or you’re backed the heck up on your DVR, you may want to turn away. There’s just no way for me to talk about what I want to talk about without spoiling.