On Storytelling and Alien Perspectives

The latest episode of The Sockdolager podcast is live. Editors Paul Starr and Alison Wilgus share their insights on what they liked, loved, and noodled over for all of the stories in the Fall issue. As you may recall (and if you don’t, obviously I am un-subtly reminding you), this was the issue in which Hide Behind saw the light of published day.

Alison and Paul say a lot of the kind of complimentary stuff that makes the self-deprecating voices in my head squirm and wriggle, which is always nice. I won’t rehash all of it, because you should just go listen, but I will say I was especially happy that they made note of Yuna’s asexuality.

I did a lot of fiddling and angsting to find a way to make Yuna’s sexuality explicit without something so clunky as “As an asexual, Yuna…” in the narration or, worse, giving someone horrible “You see, Yuna, since you’re asexual…” dialogue. Ugh. Ugh. Ugh.

In editing, we never actually discussed any of the characters’ sexuality, though, so I’ll admit part of me wondered, but: it reads. Huzzah!

The other interesting bit I wanted to highlight is a discussion Paul and Alison have about whether or not this story takes place on Earth. Which never occurred to me, though I suppose it should have: while I was shopping this story around, a fantasy-only market I subbed it to rejected it explicitly because they thought it was too sci-fi for them.

Here’s the thing: in my head, “Hide Behind” takes place on an alt-history Earth filled with folklore come to life. However, I also have the benefit of having read the other stories I’ve set in this world. Only, one of those was published in an anthology that I’m not sure has got a lot of attention, one is forthcoming and thus isn’t in very many hands, either, and the others are either out on sub or aren’t even finished yet.

Stripped of other-story context, it makes sense. Most of the other stories lean a lot more heavily into the folklore and magic aspects. Yuna and Ruthie’s story, though, is probably the lowest on magic of any of the Tall stories. Which is intentional. I very much wanted to explore the nature of medicine and science in a world populated by so much fantastic, magical stuff. How do you navigate that, I wondered?

As a result, the mystical nature of the world gets a whole lot more grounding. When you actually start dissecting a giant and performing botanical grafts of trees with healing fruit, things become less magical and more alien.

Which, honestly, is its own kind of cool. “Hide Behind” is a story about characters who are alienated in a lot of ways, after all. Given one of my intentions with the Tall stories is to create works that can stand on their own (I’ve not sold more than one of them to the same market), but which can also provide a different experience for folks who have read more than one, this actually feels like proof of concept.

Also: I blame Firefly. ;)

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